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«We, like so many, have been feeling the fury and frustration of this vile act of an independent, peaceful, democratic country being invaded and having its people murdered by one of the world’s major powers,» Gilmour said.
«We want to express our support for Ukraine and, in that way, show that most of the world thinks it’s totally wrong for a superpower to invade the independent democratic country that Ukraine has become.»
The artwork for the single features a painting of a sunflower, Ukraine’s national flower, a «direct reference» to the old woman seen giving sunflower seeds to Russian soldiers, the band said.
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Whether it’s via trap, rap, whether it’s acting or dancing, the key is that Wos continues to express himself. He sings, he tells, he is still him, searching and building himself. Leaving the stagnant forms and proposing within a style a renewal, an update. Because beyond genres, devices or forms, Valentín Oliva continues to explore himself. This degree of sensitivity connects him directly with society because it allows him, in the meantime, to speak, to say.
With so many people talking around him, Wos says: Resist. Insist. He builds while he deconstructs. His voice combines the power of the here and now recording new poetic truths, responsible and committed to what he wishes to violently transform reality.
Anger seems to appear as an engine to move forward in a resistance that is based on simply being well, connecting with the needs of each person. To be able to listen to oneself amidst so much noise, to travel within oneself. A countercultural discourse, a rescue from the overwhelming imposed meritocracy. A critique of the hegemonic system that far from crushing Valentín Oliva, feeds it.
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«It fills me with joy to be able to continue exploring my creativity without barriers, limits or obstacles. It makes me happy to keep surprising myself,» said Camilo about his new song explaining that Mexican root that seemed almost ranchera. If you add to this musical fusion his usual lyrics full of feelings and contrasts (love/lovelessness) the result is a win-win…
Pesadilla was composed by Camilo and Edgar Barrera, under the production of both of them together with Nicolás Ramírez. There is no doubt that Camilo has been able to surround himself with the best. Illustrious names in the Latin industry that make him feel like he is in the family, as well as the presence of Evaluna Montaner in the director’s chair.
«Give me a tequila, a coffee, or what do I know, so I don’t fall asleep, I’ve already trained with Canelo, and if I fall asleep, I’m going to fight for what’s mine (…) Today I’m going to have a party, the one I haven’t had in a long time. Let my friends come with their cousins and their aunts, to have some cold drinks» sings Camilo.
Firm group
Recently, Urquijo himself told the whole story to Jaime Monsalve, director of programming at Radio Nacional de Colombia (listen to the song here) and stressed: «The song is by Joe Arroyo, but he gave it to me because I wasn’t going to do anything with it at that time. So, I recorded it».
Such is the legacy of Rebelión in ethnic, social and cultural terms that the song has been reviewed by top academia. Mark Q. Sawyer, professor of political science at the University of California (Ucla), wrote an essay entitled Dubois, double consciousness ‘versus’ Latin American exceptionalism: Joe Arroyo, salsa and negritude (2004).
That, as far as the academy is concerned. Regarding the narrative, it is clear that Rebelión is an impeccable chronicle: a journalistic story, if you will, perfectly narrated (sung). However, the great legacy of the song, and what it is famous for worldwide, is the musical imprint.
Without further ado, Rebelión is a stupendously structured and best resolved song: Joe’s spoken introduction that says: «Quiero contarle, mi hermano/ Un pedacito de la historia negra/ De la historia nuestra, caballero/ Y dice así…», a second piano and harpsichord introduction, followed by a salsa descarga that mixes the main melody with the chorus and two solos -trumpet and piano-, turned it into a universal theme. A round, definitive, unforgettable song.